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free>>inganzo ballet Inganzo Ballet Permission requested to use information from http://www.pangaeamusic.co.uk/ "Inganzo"is derives from the Twa word for the mud found near a river. As the Twa's economic survival derived from pottery made from this mud the word more accurately translates as
The Ballet are drawn from all three of the country's main ethnic groups, (Hutu, Tutsi, and Twa) and witnessed the 1994 genocide as children. And yet they have come through the suffering and unimaginable trauma to become grassroots ambassadors for progress and hope. At a time of media attention on the genocide and its legacy, the stirring songs and dances of Ballet Inganzo articulate a powerful alternative message.
The traditional ‘Ballet’ of Rwanda is one of Africa’s longest established and least exposed musical traditions. The use of the word Ballet is a product of Belgian colonial rule. In fact, the art form was refined over centuries in the courts of the Rwandan Mwami (kings). There are three main components to Rwandan Ballet, and a standard performance by a group will contain all three. These are the songs/dances that are the essence of the art form (and are referred to here as 'the Ballet'), Intore (dance of heroes) and Ingoma ('drums'). Intore
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In July 2003, three founding members of Inshuti-UK travelled to Rwanda to visit the Ballet and set up projects that will help their wider community in the long term. Inshuti-UK are working to create a channel for these African drums to be brought to the UK for resale, with all profits going back to Rwanda to help the community
The Rwanda Forum on Saturday 27 March remembered the 800,000 to a million Tutsi and Hutu moderates murdered in just three months by the Hutu extremist government ten years ago this month.
See them at The Anvil, Basingstoke Saturday 13 July 2004. During July, the company will also be giving workshops and performances in 11 Hampshire schools. Information compliments of http://www.pangaeamusic.co.uk/ |
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